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Each of the four hooves of the Dawn Horse gestures toward one of these four Signs:
The right rear foot points toward the Feet of Avatar Adi Da’s bodily (human) Divine Form. Avatar Adi Da Is the bodily (human) Revelation of the Divine Person, as epitomized by the image of
His Feet.
The left rear foot is raised and points toward the Sacred Fire, which represents Avatar Adi Da’s Divine Transcendental Spirit-
ual Presence (or His all-and-All-Pervading Love-Blissful Divine Transcendental Spiritual Current).
The right front foot points toward the right side of the bodily apparent heart—the bodily seat associated with the Realization of Consciousness Itself, or Avatar Adi Da’s Divine and Perfect State—Which Is the Divine Self-Nature, Self-Condition, and Self-State of all conditionally manifested beings and things.
The left front foot points up, toward the Divine Star, Which is the “Window” to the Self-Existing and Self-Radiant Sphere (or “Midnight Sun”) of the “Bright” Divine Self-Domain of Conscious Light That Is the pre-cosmic Divine Self-Nature, Self-Condition, Source-Condition, and Self-State of all conditional manifestation.
In The Dawn Horse Testament, Avatar Adi Da Reveals that the Divine Star Is His Own “First Visible Form”, the cosmically manifested Sign (or the “objective” Representation) of the Very Divine Person and Self-Condition.
Thus, the Ecstatic attitude of the Horse—with his head arched in Bliss, his wings outstretched (as a sign of Perfect Freedom), and his front hooves gesturing simultaneously to the two terminals of Atma Nadi, “The Ultimate conditional (or Structural) Seat, Sign, and Divinely ‘Bright’ Transcendental Spiritual Body Of The Process Of Divine Translation (Into The ‘Midnight Sun’, Which Is The Sphere, and Space, and ‘Substance’ Of My ‘Bright’ Divine Self-Domain)”—is a visual Symbol of Most Perfect Divine Self-Realization, or Most Perfect Divine Enlightenment. This is the Supreme Realization to Which Avatar Adi Da Samraj Calls all living beings.
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ADIDAM and THE DAWN HORSE PRESS
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It is Avatar Adi Da's ever living Intent in regard to this work
that it not be reproduced or modified without consulting ASA.
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